In case you were wondering, I did end up finishing my draft. I always go “I don’t know how many novels I have in me” but evidently I have at least two.
There’s something to be said about the films and books we consume at our most porous that affect the way we see the world. “Most porous” for me means from childhood to our late teens. When I revisit some of these titles, a phrase or philosophy that I’ve held for decades was really just lifted from a particular piece of art. I took it along with me to see how it stuck when brushed against my own experience.
In Defense of Romance
We use the word romance for everything: candlelight, flowers, flying to Paris on a whim (which may be the most romantic). It’s defined as, “a quality or feeling of mystery, excitement, and remoteness from everyday life.” My own ideas of romance range from ’90s romantic comedies, photographs by Brassaï, or any film starring Cary Grant. The more I try to …
I wrote a few newsletters ago about an F. Scott Fitzgerald quote mentioned in the Criterion essay for Joan Micklin Silver’s films. Defining a “sentimental person as someone who ‘thinks things will last’ and a romantic person as one with ‘desperate confidence that they won’t.’” Since an almost precocious age, I have been in the latter camp. Mostly due to pragmatism and a particular distaste for anything sentimental, but especially anything naive.
The most romantic thing for me has always been love lost. So much of what is romantic is made up of throwing caution to the wind not knowing how long anything will last. Once it’s gone there’s a particular yearning and wonder that comes with the loose ends of it. What if, what if, what if!
The World Is Your Dating App
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